Felice Varini Year-By-Year
Chronology of Felice Varini’s works (most works are shown here from the vantage point, as well as from outside the vantage point). To learn from Felice why and how he creates these paintings, click here for an interview with Felice. » Interview with Felice… 2 Sep...
Read MoreWho is the Author of my Poems?: Art Practice Based PhD Exploring Knowledge Gained in the Process of Creativity.
by Gil Dekel. It is a prevailing assumption that poetry is closely linked to the times in which it is created, and that the poet is influenced by his/her surroundings. For example, the English Romantic poetry is seen as a direct result of the French and American revolutions (Ackroyd, 2006). However, this assumption does not explain the observation that poetry was written in ancient times and is...
Read MoreIlluminating the Word: Visualisation of Poetic Experiences Through Filmmaking.
by Gil Dekel. Freud acknowledged that poets have explored the unconscious much before he himself developed it into his psychological theories (Jay, 1984: 23). Visionary poets such as Blake and William Wordsworth suggested the psychoanalytic process much before Freud himself practised it (see also Shengold, 2004: 28). In my research I propose to direct this psychoanalytic inquiry, which I suggest...
Read MoreWordless Silence of Poetic Mind: Outlining and Visualising Poetic Experiences through Artmaking.
by Gil Dekel. This paper approaches visionary poetry from the point of view of an experiential observer. The paper explores the “poetic silence” that occurs in the moments before the poem is written, attempting to capture the moments in which a thought of poetry is formulated. This silence is defined by RILKE (1950, p.20) as “nameless”, thus may pose...
Read MoreWorking with Encaustic wax paintings: I See What I Believe.
By Natalie Dekel. The following paintings were created using coloured-wax applied with heated iron onto glossy cards. This technique is called encaustic wax. The technique involves the application of coloured wax onto a heated iron, which causes the wax to melt. When it starts running on the surface of the iron it is applied to the card to create patterns. Working with this particular method...
Read MoreHow Do I Close My Eyes To See?
By Natalie Dekel. There are so many things in life we need to achieve and so many thoughts we ought to think, that we do not have time to stop and observe what is happening inside us. It takes courage, I found, to look within. It takes practice to look into the dark closets of our minds, and most importantly – it takes adjustment, just like our eyes need to adjust when seeing in the...
Read MoreInspiration: a functional approach to creative practice (PhD Research).
By Gil Dekel. I have been conducting a PhD research (University of Portsmouth) into the subject of creativity and inspiration in art, studyng techniques of accessing one’s talents and opening a door to innovation. These techniques were tested with artists and non-artists alike, and proved beneficial to anyone who is willing to ask: “who am I, and how can I be more...
Read MoreFinding My Voice.
Singer Tony Kaldas interviewed by Natalie Dekel. ‘What we are today comes from our thoughts of yesterday, and our present thoughts build our life of tomorrow: Our life is the creation of our mind.’ The Buddha. Natalie Dekel: Do you feel your work with music as part of yourself or is it more like a ‘work’? Tony Kaldas: Music is an expression to the outer world as well as a part of...
Read MoreCreating the Right Conditions for Music to Come.
Yoram Markreich (musician, lyricist and author) in an interview with Gil Dekel. Gil Dekel: They say that there were so many wild stories around the expressionist painter Kirchner (born 1880) that it is hard to know what is true and what is fiction… How much of what was written about you and your band is true? [1] Yoram Markreich: About half of what is written about us is false…...
Read MoreWhere the Unthinkable can be Expressed.
Short interview with Patricia Bickers, art historian, editor and critic. Gil Dekel: What motivates you to speak about art and explore it? In what way art touches you? [1] Patricia Bickers: I like the fact that while you may learn a great deal about art through experience as well as research, you can never, in the true sense, be an expert because the field is so subjective and ill-defined....
Read MoreSuddenly Awakened.
Author Colin Wilson interviewed by Gil Dekel. Gil Dekel: How would you define your sense of artistry? Would you consider yourself a writer, philosopher, mystic, or perhaps a critic? [1] Colin Wilson: Well, as an artist/philosopher, I would say. You see, when I was in my early teens I was deeply impressed by Bernard Shaw’s Man and Superman, which still strikes me as the most exhilarating play...
Read MoreOverlapping Morphic Fields.
Dr. Rupert Sheldrake, biologist and author, interviewed by Gil Dekel. [גרסה עברית] Gil Dekel: If the mind is ‘extended’ as you seem to suggest, how then do you see human-kind in general? As individuals that are inter-connected, or perhaps as one ‘entity’ which is separated to six billion awareness? [1] Rupert Sheldrake: I think that we – humankind...
Read MoreWhen The Impossible Is Realized.
Interview with Alan Steinfeld, author and founder of NewRealities.com. Gil Dekel: You are writing about the artist’s role in creating new realities. Do you think there is a unique or specific way that artists see or experience reality? Alan Steinfeld: The artist feels something on a subtle level and is driven to express that, not from a conscious mind but from a subconscious mind....
Read MoreEmotional Slices of Light.
Photographic installation artist Katayoun Dowlatshahi interviewed by Gil Dekel. Gil Dekel: You are tracing light onto glass using a method called Carbon Photography. How did you develop the idea of ‘light drawings’? [1] Katayoun Dowlatshahi: In 1998 I spent a year as Artist in Residence at Durham Cathedral. It was there that I began a journey investigating the relationship between...
Read MoreExtra Light in the Mind.
Installation artist David Johnson interviewed by Gil Dekel. Gil Dekel: Your work has undergone an interesting evolution over the years. [1] David Johnson: When I was young I used to paint and draw and make mono-prints. I studied architecture originally, but gave that up to go to art school. As soon as I got there I started to do works about the idea of the invisible. The invisible was just...
Read MoreMeaningful Objects.
Installation artist Ken Devine interviewed by Gil Dekel. Gil Dekel: Your art project Colours of the Sphere looks at the ways in which people create meanings with the world around them and especially with colours. [1] Ken Devine: Yes, the project started ten years ago with a brief to work in a junior school. I had a six months’ residency then and I scratched my head for some time to find...
Read MoreThe Beauty in Temporality.
Watercolour painter Melanie Chan interviewed by Gil Dekel. Gil Dekel: You specialise in watercolour paintings of flowers. What do you see in the flower? [1] Melanie Chan: I see the beauty of nature in flowers, and I am amazed by their perfection and their symmetry. Once I start painting my mind starts to become calmer, as if the flower is encouraging me to be in the moment. I pay...
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