היופי שבזמניות
מלאני צ’אן (Melanie Chan) ציירת בצבעי מים, בראיון עם גיל דקל. גיל דקל: את מתמחה בציורי פרחים בצבעי מים. מה את רואה בפרחים? [1] מלאני צ’אן: אני רואה את היופי של הטבע בפרחים, ואני נדהמת משלמותם ומהסימטריה שלהם. כשאני מתחילה...
Read MoreFelice Varini Year-By-Year
Chronology of Felice Varini’s works (most works are shown here from the vantage point, as well as from outside the vantage point). To learn from Felice why and how he creates these paintings, click here for an interview with Felice. » Interview with Felice… » Conceptual Graphic Design… 2 Sep 2010. Updated 2 March...
Read MoreThe Silence of the Paper: Embodiment of ‘Artistic Personality’ in the Process of Art-making.
by Natalie Dekel. How artists embody their distinct personality, emotions and experiences, in the process of making an art work? The literature in art does not sufficiently discuss this point, where the literature often refers to the final product from which views about the artist are deduced, or it discusses the views of artists on their work as an afterthought. Either way, the actual process of...
Read MoreWorking with Encaustic wax paintings: I See What I Believe.
By Natalie Dekel. The following paintings were created using coloured-wax applied with heated iron onto glossy cards. This technique is called encaustic wax. The technique involves the application of coloured wax onto a heated iron, which causes the wax to melt. When it starts running on the surface of the iron it is applied to the card to create patterns. Working with this particular method...
Read MoreHow Do I Close My Eyes To See?
By Natalie Dekel. There are so many things in life we need to achieve and so many thoughts we ought to think, that we do not have time to stop and observe what is happening inside us. It takes courage, I found, to look within. It takes practice to look into the dark closets of our minds, and most importantly – it takes adjustment, just like our eyes need to adjust when seeing in the...
Read MoreThe process of drawing past-lives and guided portraits
By Natalie Dekel. Psychic portraits can help people see their past-lives, their loved ones and their Spiritual Guides. I would like to share with you the process of inspiration behind the psychic paintings that I produce. I have been painting from a very young age, and have always sensed colours as if they were ‘entities’ coming to me with emotions and messages. In 2002 I began to practice...
Read MoreConceptual Graphic Design: the abstract space of the creative process.
Black Circle That is Going to Be. Flash Artwork. 2008. Gil Dekel. “What interests me is not the square or the circle, but what is in between the two: the artistic process by which one becomes the other.” Gil Dekel. In his life-long attempt to express universally shared feelings, painter Kazimir Malevich (Drutt, 2003) asserted that pure geometrical forms (such as circle, square,...
Read MoreWhen The Impossible Is Realized.
Interview with Alan Steinfeld, author and founder of NewRealities.com. Gil Dekel: You are writing about the artist’s role in creating new realities. Do you think there is a unique or specific way that artists see or experience reality? Alan Steinfeld: The artist feels something on a subtle level and is driven to express that, not from a conscious mind but from a subconscious mind....
Read MoreThe Image of Ourselves.
Performance artist Roi Vaara interviewed by Gil Dekel. Gil Dekel: Would it be correct to say that you are a ‘performance artist’? [1] Roi Vaara: I am known for my performances, so yes, it is correct to say I am performance artist. But when I am asked what I do, I reply that I am an artist, originally a painter who now presents his visions in a live format. [2] And you have mentioned...
Read MoreExtra Light in the Mind.
Installation artist David Johnson interviewed by Gil Dekel. Gil Dekel: Your work has undergone an interesting evolution over the years. [1] David Johnson: When I was young I used to paint and draw and make mono-prints. I studied architecture originally, but gave that up to go to art school. As soon as I got there I started to do works about the idea of the invisible. The invisible was just...
Read MoreMeaningful Objects.
Installation artist Ken Devine interviewed by Gil Dekel. Gil Dekel: Your art project Colours of the Sphere looks at the ways in which people create meanings with the world around them and especially with colours. [1] Ken Devine: Yes, the project started ten years ago with a brief to work in a junior school. I had a six months’ residency then and I scratched my head for some time to find...
Read MoreThe Beauty in Temporality.
Watercolour painter Melanie Chan interviewed by Gil Dekel. Gil Dekel: You specialise in watercolour paintings of flowers. What do you see in the flower? [1] Melanie Chan: I see the beauty of nature in flowers, and I am amazed by their perfection and their symmetry. Once I start painting my mind starts to become calmer, as if the flower is encouraging me to be in the moment. I pay...
Read MoreUnfoldment
Mandala painter, Barry Stevens, interviewed by Gil Dekel. Gil Dekel: Mandalas are usually round, or I should say circular around a centre. As such they do not seem to have an up or down, left or right. How do you then ‘plan’ the painting? [1] Barry Stevens: The reference point is the centre. First thing is to find the centre of the paper and then to place the point of the compass ...
Read MoreI Am a Painter.
Perspective-localized painter, Felice Varini, interviewed by Gil Dekel. Gil Dekel: You do not paint on canvas but rather on architectural and urban landscapes, such as buildings, walls, streets. Your works have only one view point, or a vantage point, from which the viewer can see the complete painting, usually a simple geometric form (a circle, square, triangle). From other view points the...
Read MoreOn Every Beach the Sand is Different.
Portraits and Encaustic Wax painter, Natalie Dekel, interviewed by Gil Dekel. Gil Dekel: When did you start painting? Natalie Dekel: I was left-handed and my mother was worried that I will not be able to use my right hand. Where I was born and grew up, everyone had to be the same and had to write in school using their right hand only… So at the age of one my mother gave me a lot of...
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