I Am a Painter.

I Am a Painter.

Perspective-localized painter, Felice Varini, interviewed by Gil Dekel. Felice does not paint on canvas but rather on architectural and urban landscapes, such as buildings, walls, and streets. His paintings have one vantage point (view point) from which the viewer can...
Portals of the Mind and the Soul.

Portals of the Mind and the Soul.

Painter, poet and philosopher Paul Hartal is interviewed by Gil Dekel.   Gil Dekel: What is your view on the sources of creativity in art? [1] Paul Hartal: Creativity is a cognitive process that results in new outcomes. It generates original ideas and novel products....
On Every Beach the Sand is Different.

On Every Beach the Sand is Different.

Portraits and Encaustic Wax painter, Natalie Dekel, interviewed by Gil Dekel. Gil Dekel: When did you start painting? Natalie Dekel: I was left-handed and my mother was worried that I will not be able to use my right hand. Where I was born and grew up, everyone had to...
Introspection.

Introspection.

Matt Manley (painter, teacher, digital artist, and illustrator of Rumi wall calendars published by Brush Dance) – interviewed by Natalie Dekel.       Natalie Dekel: Your work seems a mix of symbols and memories – a puzzle leading the viewer...
Turning On the Light Without Choosing Which Way It Will Spread.

Turning On the Light Without Choosing Which Way It Will Spread.

The authorial-Self, a ‘Muse’ of poetry, is interviewed by Gil Dekel. Gil Dekel: I am very happy to be able to interview my own ‘Muse’, my own creative self, and ask him about processes of inspiration in writing poetry. [1] I would like to thank you, the...

In You We See The Light.

‘The Band of Brothers’ in an interview with Gil Dekel. Gil Dekel: This interview is taking place through an automatic-speech experiment, where spiritual intelligent forms (‘beings’) are channelled through a medium. So, can I start by asking...
I Was Always a Genius.

I Was Always a Genius.

Poet Alan Corkish interviewed by Gil Dekel.   Gil Dekel: I get the feeling that your poetry is based mainly on telling a story, an event, rather than depicting a picture. Is this correct? [1] Alan Corkish: I’m not sure about what you mean Gil. Language is complex, I...
I Was Always a Genius.

Becoming Something Deeper.

Poet Myra Schneider interviewed by Gil Dekel. Myra Schneider: Hi, Gil, welcome… would you like some tea? [1] Gil Dekel: That would be nice. [2] [getting tea] [3] Gil Dekel: Did you always live in London? [4] Myra Schneider: I have been living here a long time now,...
I Was Always a Genius.

Whirlpool of Emotions.

Poet Clive Wilmer interviewed by Gil Dekel. Gil Dekel: Hello, Clive… [1] Clive Wilmer: Nice to meet you, Gil, at last… [2] I wasn’t sure if this is Cambridge Central Station, because it looks so ‘open’; quite wide… [3] Yes, it’s an unusual lay-out...
I Was Always a Genius.

Insight into Words.

Poet Maggie Sawkins interviewed by Gil Dekel. Gil Dekel: You have been writing since the age of nine. How does the process of writing poetry work for you? [1] Maggie Sawkins: I think that there are different processes for different poems. Sometimes it is two things...
I Was Always a Genius.

The Arc of Grace.

Poet Sylvia Paskin interviewed by Gil Dekel. Gil Dekel: How do words come to you? [1] Sylvia Paskin: Often they come as a burst of emotion. Sometimes I hear or read something, or something happens to me. And around this set of feelings you find yourself writing about...
I Was Always a Genius.

Rising to the Surface of Language.

Poet Anne Stevenson interviewed by Gil Dekel. Gil Dekel: Can we talk about your creative process of writing? [1] Anne Stevenson: For me, writing poems is not so much a process as a way of feeling my way in the dark. Lines come to mind; I work them over in my head and...