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	<title>Poetic Mind &#187; Time</title>
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	<description>Creativity, Inspiration, and Emotional Strength</description>
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		<title>The Departure from the Moment of Now, and the Creation of Time</title>
		<link>http://www.poeticmind.co.uk/wellknowing/the-departure-from-the-moment-of-now-and-the-creation-of-time/</link>
		<comments>http://www.poeticmind.co.uk/wellknowing/the-departure-from-the-moment-of-now-and-the-creation-of-time/#comments</comments>
		<pubDate>Sat, 23 Oct 2010 21:44:53 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Wellknowing]]></category>
		<category><![CDATA[Academic poetry]]></category>
		<category><![CDATA[Creation]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Heart]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[Self-observation]]></category>
		<category><![CDATA[Stillness]]></category>
		<category><![CDATA[Time]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=2619</guid>
		<description><![CDATA[by Gil Dekel, PhD. The stillness of the soul is the only place where the human mind resides. This stillness can be defined as a timeless point, a point where there is only a Moment of Now. As this Moment is so ephemeral, it is extremely difficult for us to understand and feel it, and [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Life is a dream.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/life-is-a-dream/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/life-is-a-dream/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 10:51:42 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Baroque]]></category>
		<category><![CDATA[Bellini]]></category>
		<category><![CDATA[Caspar David Friedrich]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Deconstruction]]></category>
		<category><![CDATA[Edmund Bruke]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Gregory Crewdson]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Italo Calvino]]></category>
		<category><![CDATA[Joel Sternfeld]]></category>
		<category><![CDATA[Land art]]></category>
		<category><![CDATA[Logos and pathos]]></category>
		<category><![CDATA[Luc Tuymans]]></category>
		<category><![CDATA[Mantegna]]></category>
		<category><![CDATA[Mark Rothko]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[Nature]]></category>
		<category><![CDATA[Observer]]></category>
		<category><![CDATA[Pablo Avendaño]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[Velazquez]]></category>
		<category><![CDATA[William Turner]]></category>
		<category><![CDATA[Wim Wenders]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=524</guid>
		<description><![CDATA[Interview with painter, photographer and installation artist Pablo Avendaño. Natalie Dekel: When was it that you first decided to paint or express yourself visually? [1] Pablo Avendaño: I cannot recall when it began except for the very early visits to the Prado with my father and afterwards studying reproductions of Velazquez. I was then around [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Unfoldment</title>
		<link>http://www.poeticmind.co.uk/interviews-1/unfoldment/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/unfoldment/#comments</comments>
		<pubDate>Sat, 24 Jul 2010 20:42:34 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[All that is]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Barry Stevens]]></category>
		<category><![CDATA[Being]]></category>
		<category><![CDATA[Circle]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Energy]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Higher power]]></category>
		<category><![CDATA[I]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Infinity]]></category>
		<category><![CDATA[Inner peace]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Mandala]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Oneness]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Psychology]]></category>
		<category><![CDATA[Shri Yantra]]></category>
		<category><![CDATA[Sri Yantra]]></category>
		<category><![CDATA[Surrender]]></category>
		<category><![CDATA[Symbol]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[Whole]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=497</guid>
		<description><![CDATA[Mandala painter, Barry Stevens, interviewed by Gil Dekel. Gil Dekel: Mandalas are usually round, or I should say circular around a centre. As such they do not seem to have an up or down, left or right. How do you then ‘plan’ the painting? [1] Barry Stevens: The reference point is the centre. First thing [...]]]></description>
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		<title>Introspection.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/introspection/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/introspection/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 07:21:38 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abstract]]></category>
		<category><![CDATA[Andrei Tarkovsky]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Carl Jung]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[Creative process]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Form]]></category>
		<category><![CDATA[Graphic Design]]></category>
		<category><![CDATA[Human form]]></category>
		<category><![CDATA[Illustration]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Inner realities]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Kenji Mizoguchi]]></category>
		<category><![CDATA[Luis Buñuel]]></category>
		<category><![CDATA[Matt Manley]]></category>
		<category><![CDATA[Meditation]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[Nature]]></category>
		<category><![CDATA[Non-figurative]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Psychology]]></category>
		<category><![CDATA[Rainer Maria Rilke]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[Robert Bresson]]></category>
		<category><![CDATA[Rumi]]></category>
		<category><![CDATA[Soul]]></category>
		<category><![CDATA[Symbol]]></category>
		<category><![CDATA[Thomas Mann]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[TS Eliot]]></category>
		<category><![CDATA[Vermeer]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=305</guid>
		<description><![CDATA[Matt Manley (painter, teacher, digital artist, and illustrator of Rumi wall calendars published by Brush Dance) &#8211; interviewed by Natalie Dekel. Natalie Dekel: Your work seems a mix of symbols and memories &#8211; a puzzle leading the viewer to discover a story. Is this correct? Matt Manley: I think this could be an accurate view [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Turning On the Light Without Choosing Which Way It Will Spread.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/turning-on-the-light-without-choosing-which-way-it-will-spread/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/turning-on-the-light-without-choosing-which-way-it-will-spread/#comments</comments>
		<pubDate>Thu, 22 Jul 2010 21:48:30 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[All]]></category>
		<category><![CDATA[authorial-Self]]></category>
		<category><![CDATA[Automatic-speech]]></category>
		<category><![CDATA[Choice]]></category>
		<category><![CDATA[Collective unconscious]]></category>
		<category><![CDATA[Consciousness]]></category>
		<category><![CDATA[Documentation]]></category>
		<category><![CDATA[Dreams]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Eternity]]></category>
		<category><![CDATA[Experience]]></category>
		<category><![CDATA[Feelings]]></category>
		<category><![CDATA[Flowing speech]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[Heart]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Intellect]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[Meanings]]></category>
		<category><![CDATA[Measurement]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Muse]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Self-observation]]></category>
		<category><![CDATA[Senses]]></category>
		<category><![CDATA[Speed of light]]></category>
		<category><![CDATA[Spirit]]></category>
		<category><![CDATA[Split second]]></category>
		<category><![CDATA[Symbol]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[Verbalization]]></category>
		<category><![CDATA[WB Yeats]]></category>
		<category><![CDATA[Words]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=298</guid>
		<description><![CDATA[The authorial-Self, a ‘Muse’ of poetry, is interviewed by Gil Dekel. Gil Dekel: I am very happy to be able to interview my own ‘Muse’, my own creative self, and ask him about processes of inspiration in writing poetry. [1] I would like to thank you, the authorial-Self, for ‘descending’ from the so-called ‘collective unconsciousness, [...]]]></description>
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