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	<title>Poetic Mind &#187; Colour</title>
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	<link>http://www.poeticmind.co.uk</link>
	<description>Creativity, Inspiration, and Emotional Strength</description>
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		<title>Felice Varini Year-By-Year</title>
		<link>http://www.poeticmind.co.uk/research/felice-varini-year-by-year/</link>
		<comments>http://www.poeticmind.co.uk/research/felice-varini-year-by-year/#comments</comments>
		<pubDate>Thu, 02 Sep 2010 15:10:04 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Research]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Canvas]]></category>
		<category><![CDATA[Choise]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Felice Varini]]></category>
		<category><![CDATA[Illusion]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Painter]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Perception]]></category>
		<category><![CDATA[Perspective]]></category>
		<category><![CDATA[Point of view]]></category>
		<category><![CDATA[Reality]]></category>
		<category><![CDATA[Red]]></category>
		<category><![CDATA[Shape]]></category>
		<category><![CDATA[Square]]></category>
		<category><![CDATA[Triangle]]></category>
		<category><![CDATA[View point]]></category>
		<category><![CDATA[Viewer]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=1992</guid>
		<description><![CDATA[Chronology of Felice Varini&#8217;s works (most works are shown here from the vantage point, as well as from outside the vantage point). To learn from Felice why and how he creates these paintings, click here for an interview with Felice. » Interview with Felice&#8230; » Conceptual Graphic Design&#8230; 2 Sep 2010.]]></description>
		<wfw:commentRss>http://www.poeticmind.co.uk/research/felice-varini-year-by-year/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Silence of the Paper: Embodiment of ‘Artistic Personality’ in the Process of Art-making.</title>
		<link>http://www.poeticmind.co.uk/research/the-silence-of-the-paper-embodiment-of-%e2%80%98artistic-personality%e2%80%99-in-the-process-of-art-making/</link>
		<comments>http://www.poeticmind.co.uk/research/the-silence-of-the-paper-embodiment-of-%e2%80%98artistic-personality%e2%80%99-in-the-process-of-art-making/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 13:54:25 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Research]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Line]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Personality]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=1284</guid>
		<description><![CDATA[by Natalie Dekel. How artists embody their distinct personality, emotions and experiences, in the process of making an art work? The literature in art does not sufficiently discuss this point, where the literature often refers to the final product from which views about the artist are deduced, or it discusses the views of artists on [...]]]></description>
		<wfw:commentRss>http://www.poeticmind.co.uk/research/the-silence-of-the-paper-embodiment-of-%e2%80%98artistic-personality%e2%80%99-in-the-process-of-art-making/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Working with Encaustic wax paintings: I See What I Believe.</title>
		<link>http://www.poeticmind.co.uk/wellsensing/working-with-encaustic-wax-paintings-i-see-what-i-believe/</link>
		<comments>http://www.poeticmind.co.uk/wellsensing/working-with-encaustic-wax-paintings-i-see-what-i-believe/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 12:27:16 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Wellsensing]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Belief]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Encaustic wax]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Imagery]]></category>
		<category><![CDATA[Imagination]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Layers]]></category>
		<category><![CDATA[Line]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Seeing]]></category>
		<category><![CDATA[Self]]></category>
		<category><![CDATA[Self awareness]]></category>
		<category><![CDATA[Self-observation]]></category>
		<category><![CDATA[Senses]]></category>
		<category><![CDATA[Unconscious]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=1009</guid>
		<description><![CDATA[By Natalie Dekel. The following paintings were created using coloured-wax applied with heated iron onto glossy cards. This technique is called encaustic wax. The technique involves the application of coloured wax onto a heated iron, which causes the wax to melt. When it starts running on the surface of the iron it is applied to [...]]]></description>
		<wfw:commentRss>http://www.poeticmind.co.uk/wellsensing/working-with-encaustic-wax-paintings-i-see-what-i-believe/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>How Do I Close My Eyes To See?</title>
		<link>http://www.poeticmind.co.uk/wellsensing/how-do-i-close-my-eyes-to-see/</link>
		<comments>http://www.poeticmind.co.uk/wellsensing/how-do-i-close-my-eyes-to-see/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 11:26:35 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Wellsensing]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Channelling]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Encaustic wax]]></category>
		<category><![CDATA[Happiness]]></category>
		<category><![CDATA[Healing]]></category>
		<category><![CDATA[Help]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Imagery]]></category>
		<category><![CDATA[Imagination]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[One]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Presence]]></category>
		<category><![CDATA[Question]]></category>
		<category><![CDATA[Self awareness]]></category>
		<category><![CDATA[Spirit Guides]]></category>
		<category><![CDATA[Thought]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=987</guid>
		<description><![CDATA[By Natalie Dekel. There are so many things in life we need to achieve and so many thoughts we ought to think, that we do not have time to stop and observe what is happening inside us. It takes courage, I found, to look within. It takes practice to look into the dark closets of [...]]]></description>
		<wfw:commentRss>http://www.poeticmind.co.uk/wellsensing/how-do-i-close-my-eyes-to-see/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The process of drawing past-lives and guided portraits</title>
		<link>http://www.poeticmind.co.uk/wellsensing/drawing-past-lives-guided-portraits/</link>
		<comments>http://www.poeticmind.co.uk/wellsensing/drawing-past-lives-guided-portraits/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 14:11:42 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Wellsensing]]></category>
		<category><![CDATA[Advice]]></category>
		<category><![CDATA[Angels]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Feelings]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Guidance]]></category>
		<category><![CDATA[Healing]]></category>
		<category><![CDATA[Help]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Past life]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Psychic readings]]></category>
		<category><![CDATA[Psychology]]></category>
		<category><![CDATA[Spirit]]></category>
		<category><![CDATA[Spirit Guides]]></category>
		<category><![CDATA[Spiritual]]></category>
		<category><![CDATA[Spiritual readings]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=933</guid>
		<description><![CDATA[By Natalie Dekel. Psychic portraits can help people see their past-lives, their loved ones and their Spiritual Guides. I would like to share with you the process of inspiration behind the psychic paintings that I produce. I have been painting from a very young age, and have always sensed colours as if they were ‘entities’ [...]]]></description>
		<wfw:commentRss>http://www.poeticmind.co.uk/wellsensing/drawing-past-lives-guided-portraits/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Conceptual Graphic Design: the abstract space of the creative process.</title>
		<link>http://www.poeticmind.co.uk/research/example-of-conceptual-graphic-design/</link>
		<comments>http://www.poeticmind.co.uk/research/example-of-conceptual-graphic-design/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 20:35:24 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Research]]></category>
		<category><![CDATA[Circle]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Concept]]></category>
		<category><![CDATA[Conceptual art]]></category>
		<category><![CDATA[Creative process]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Graphic Design]]></category>
		<category><![CDATA[Infinity]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[Memory]]></category>
		<category><![CDATA[Minimal art]]></category>
		<category><![CDATA[Non-figurative]]></category>
		<category><![CDATA[Square]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=800</guid>
		<description><![CDATA[Black Circle That is Going to Be. Flash Artwork. 2008. Gil Dekel. &#8220;What interests me is not the square or the circle, but what is in between the two: the artistic process by which one becomes the other.&#8221; Gil Dekel. In his life-long attempt to express universally shared feelings, painter Kazimir Malevich (Drutt, 2003) asserted [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>When The Impossible Is Realized.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/when-the-impossible-is-realized/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/when-the-impossible-is-realized/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 17:25:21 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Alan Steinfeld]]></category>
		<category><![CDATA[Alex Grey]]></category>
		<category><![CDATA[Amma]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Bruce Lipton]]></category>
		<category><![CDATA[Carl Jung]]></category>
		<category><![CDATA[Change]]></category>
		<category><![CDATA[Channelling]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Conscious]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Einstein]]></category>
		<category><![CDATA[Expressionism]]></category>
		<category><![CDATA[Ezra Pound]]></category>
		<category><![CDATA[Feelings]]></category>
		<category><![CDATA[Freud]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Greece]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Leonard Shlain]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Mystical experiences]]></category>
		<category><![CDATA[Nassim Haramein]]></category>
		<category><![CDATA[Peak-experience]]></category>
		<category><![CDATA[Perception]]></category>
		<category><![CDATA[Prophets]]></category>
		<category><![CDATA[Question]]></category>
		<category><![CDATA[Reality]]></category>
		<category><![CDATA[Spirit]]></category>
		<category><![CDATA[Spiritual]]></category>
		<category><![CDATA[Subconscious]]></category>
		<category><![CDATA[Tree]]></category>
		<category><![CDATA[Unconscious]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=593</guid>
		<description><![CDATA[Interview with Alan Steinfeld, author and founder of NewRealities.com. Gil Dekel: You are writing about the artist&#8217;s role in creating new realities. Do you think there is a unique or specific way that artists see or experience reality? Alan Steinfeld: The artist feels something on a subtle level and is driven to express that, not [...]]]></description>
		<wfw:commentRss>http://www.poeticmind.co.uk/interviews-1/when-the-impossible-is-realized/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Image of Ourselves.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/the-image-of-ourselves/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/the-image-of-ourselves/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 16:06:10 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Acceptance]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[Challenge]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Communication]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Energy]]></category>
		<category><![CDATA[Experience]]></category>
		<category><![CDATA[Feelings]]></category>
		<category><![CDATA[Finland]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Joseph Beuys]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Roi Vaara]]></category>
		<category><![CDATA[Sunset]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=583</guid>
		<description><![CDATA[Performance artist Roi Vaara interviewed by Gil Dekel. Gil Dekel: Would it be correct to say that you are a ‘performance artist’? [1] Roi Vaara: I am known for my performances, so yes, it is correct to say I am performance artist. But when I am asked what I do, I reply that I am [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Extra Light in the Mind.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/extra-light-in-the-mind/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/extra-light-in-the-mind/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 13:49:51 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Absence]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[Ambiguity]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Being]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[David Johnson]]></category>
		<category><![CDATA[Einstein]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Henri Bergson]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Invisibility]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Magritte]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Nothingness]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Shade]]></category>
		<category><![CDATA[Spirit]]></category>
		<category><![CDATA[Surface]]></category>
		<category><![CDATA[Words]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=554</guid>
		<description><![CDATA[Installation artist David Johnson interviewed by Gil Dekel. Gil Dekel: Your work has undergone an interesting evolution over the years. [1] David Johnson: When I was young I used to paint and draw and make mono-prints. I studied architecture originally, but gave that up to go to art school. As soon as I got there [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Meaningful Objects.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/meaningful-objects/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/meaningful-objects/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 11:31:41 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abstract]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Change]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Concept]]></category>
		<category><![CDATA[Contradiction]]></category>
		<category><![CDATA[Creative process]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Frank Lloyd Wright]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Happiness]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Ken Devine]]></category>
		<category><![CDATA[Language]]></category>
		<category><![CDATA[Meanings]]></category>
		<category><![CDATA[Mona Lisa]]></category>
		<category><![CDATA[Object]]></category>
		<category><![CDATA[Point of view]]></category>
		<category><![CDATA[Ratio]]></category>
		<category><![CDATA[Reality]]></category>
		<category><![CDATA[Relationships]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Symbol]]></category>
		<category><![CDATA[Things]]></category>
		<category><![CDATA[Thought]]></category>
		<category><![CDATA[Truth]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Zero]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=536</guid>
		<description><![CDATA[Installation artist Ken Devine interviewed by Gil Dekel. Gil Dekel: Your art project Colours of the Sphere looks at the ways in which people create meanings with the world around them and especially with colours. [1] Ken Devine: Yes, the project started ten years ago with a brief to work in a junior school. I [...]]]></description>
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		<slash:comments>0</slash:comments>
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