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	<title>Poetic Mind &#187; Abstract art</title>
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	<description>Creativity, Inspiration, and Emotional Strength</description>
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		<title>Working with Encaustic wax paintings: I See What I Believe.</title>
		<link>http://www.poeticmind.co.uk/wellsensing/working-with-encaustic-wax-paintings-i-see-what-i-believe/</link>
		<comments>http://www.poeticmind.co.uk/wellsensing/working-with-encaustic-wax-paintings-i-see-what-i-believe/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 12:27:16 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Wellsensing]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Belief]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Encaustic wax]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Imagery]]></category>
		<category><![CDATA[Imagination]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Layers]]></category>
		<category><![CDATA[Line]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Seeing]]></category>
		<category><![CDATA[Self]]></category>
		<category><![CDATA[Self awareness]]></category>
		<category><![CDATA[Self-observation]]></category>
		<category><![CDATA[Senses]]></category>
		<category><![CDATA[Unconscious]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=1009</guid>
		<description><![CDATA[By Natalie Dekel. The following paintings were created using coloured-wax applied with heated iron onto glossy cards. This technique is called encaustic wax. The technique involves the application of coloured wax onto a heated iron, which causes the wax to melt. When it starts running on the surface of the iron it is applied to [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Finding a Voice.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/finding-a-voice/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/finding-a-voice/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 13:40:52 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Autobiography]]></category>
		<category><![CDATA[Barbara Howey]]></category>
		<category><![CDATA[Carl Andre]]></category>
		<category><![CDATA[Memory]]></category>
		<category><![CDATA[Natalie Dekel]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[PhD]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=656</guid>
		<description><![CDATA[Short interview with academic and painter Barbara Howey. Natalie Dekel: I know from reading your PhD thesis that your mother&#8217;s passing led you to start painting. Do you still feel that painful moments from the past lead you to create your current works? [1] Barbara Howey: The death of my mother did act as a [...]]]></description>
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		<title>Extra Light in the Mind.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/extra-light-in-the-mind/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/extra-light-in-the-mind/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 13:49:51 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Absence]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[Ambiguity]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Being]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[David Johnson]]></category>
		<category><![CDATA[Einstein]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Henri Bergson]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Installation]]></category>
		<category><![CDATA[Invisibility]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Magritte]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Nothingness]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Shade]]></category>
		<category><![CDATA[Spirit]]></category>
		<category><![CDATA[Surface]]></category>
		<category><![CDATA[Words]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=554</guid>
		<description><![CDATA[Installation artist David Johnson interviewed by Gil Dekel. Gil Dekel: Your work has undergone an interesting evolution over the years. [1] David Johnson: When I was young I used to paint and draw and make mono-prints. I studied architecture originally, but gave that up to go to art school. As soon as I got there [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Beauty in Temporality.</title>
		<link>http://www.poeticmind.co.uk/interviews-1/the-beauty-in-temporality/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/the-beauty-in-temporality/#comments</comments>
		<pubDate>Sat, 24 Jul 2010 21:14:55 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Beauty]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Consciousness]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Emotion]]></category>
		<category><![CDATA[Feelings]]></category>
		<category><![CDATA[Flower]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Language]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Melanie Chan]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Moment]]></category>
		<category><![CDATA[Nature]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Perfection]]></category>
		<category><![CDATA[Silence]]></category>
		<category><![CDATA[Watercolour]]></category>
		<category><![CDATA[Words]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=509</guid>
		<description><![CDATA[Watercolour painter Melanie Chan interviewed by Gil Dekel. Gil Dekel: You specialise in watercolour paintings of flowers. What do you see in the flower? [1] Melanie Chan: I see the beauty of nature in flowers, and I am amazed by their perfection and their symmetry. Once I start painting my mind starts to become calmer, [...]]]></description>
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		<title>Unfoldment</title>
		<link>http://www.poeticmind.co.uk/interviews-1/unfoldment/</link>
		<comments>http://www.poeticmind.co.uk/interviews-1/unfoldment/#comments</comments>
		<pubDate>Sat, 24 Jul 2010 20:42:34 +0000</pubDate>
		<dc:creator>Gil</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Abstract art]]></category>
		<category><![CDATA[All that is]]></category>
		<category><![CDATA[Artist]]></category>
		<category><![CDATA[Barry Stevens]]></category>
		<category><![CDATA[Being]]></category>
		<category><![CDATA[Circle]]></category>
		<category><![CDATA[Colour]]></category>
		<category><![CDATA[Energy]]></category>
		<category><![CDATA[Gil Dekel]]></category>
		<category><![CDATA[Higher power]]></category>
		<category><![CDATA[I]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Image]]></category>
		<category><![CDATA[Infinity]]></category>
		<category><![CDATA[Inner peace]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Mandala]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Oneness]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Psychology]]></category>
		<category><![CDATA[Shri Yantra]]></category>
		<category><![CDATA[Sri Yantra]]></category>
		<category><![CDATA[Surrender]]></category>
		<category><![CDATA[Symbol]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[Whole]]></category>

		<guid isPermaLink="false">http://www.poeticmind.co.uk/?p=497</guid>
		<description><![CDATA[Mandala painter, Barry Stevens, interviewed by Gil Dekel. Gil Dekel: Mandalas are usually round, or I should say circular around a centre. As such they do not seem to have an up or down, left or right. How do you then ‘plan’ the painting? [1] Barry Stevens: The reference point is the centre. First thing [...]]]></description>
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